Tuesday, 8 August 2023

“Keep The Aspidistra Flying” by George Orwell (April 6, 2022)

 At Cam's at Abbotsford Convent.

“Steppenwolf” by Herman Hesse (March 2, 2022)

 We met at Cam's at the Abbotsford Convent.

“Our man In Havana” by Graham Greene (February 2, 2021)

 (no notes)

“The Reader” by Bernhard Schlink (December 1, 2021)

 (no notes)

“A Journey Around My Room” by Xavier Maestre (November 3, 2021)

 (no notes)

“The Siege of Krishnapur” by J.G. Farrell (October 6, 2021)

 Some notes I took during our Zoom meeting

- restraint of Victorian England

- Satirical picture of colonialism and Victorianism

- Characters are likeable

- No heroes in the book

- it’s not post-colonial, not Slaman Rushdie or Vikram Seth

- Great Exhibition is used as a touchstone

- never gets lost in the detail

- Phrenology

- Magistrate condemning all the poetry

- Loved the way that the shells falling on the masonry caused all sorts of problems, when they fell on the earth was best, kind of showing the trappings of civilisation

- The only role of women was to go mad with boredom

- Rank hypocrisy of the the system in which their embroiled

- None of the Indian characters are very developed. This was discussed at length because it denies them a voice and an opinion about what is going on around them

- It really struck me that this was the pomposity of the colonialists

- Why isn’t Ballard better known?

- Victorians putting so much emphasis on the machines they build, exemplified by the World Fair

- The auction of the food was brilliant

- Fleury killing someone is the unbelievable part of the book

- Trenchant critique of colonialism portraying the the characters as being woefully shirt-sighted about the situation they’re in. Putting a spear through the omnipotent

- Discussion about UK versus US humour, Monty Python versus The Office (US), a comment about how in Animal House, John Belushi smashing the guitar of some wannabe musician who’s wowing the girls show the difference: in the US Belushi’s the hero, in the UK it’s the guitarist

- Wanted to ask the author about why things happened the way that they did

- Notable difference between the 70’s (when the book was written) and (say) 1985 when Haneef Kureshi’s “Buddha of Suburbia”  was written. It feels like a world of difference between the two world views — the difference between seeing Indians as “other” as compared to a part of society

- Watching the colonial oppressors getting their just desserts

Saturday, 2 October 2021

“The Mothers” by Brit Bennett (September 1, 2021)

 We’re back in lockdown again so that means we’re back on Zoom.

While I didn’t mind book, for one of the first times I wasn’t able to finish it due to pressing work commitments. I got about halfway through. It didn’t help that we’d gone into lockdown again and the book is a challenging read, the protagonist has an abortion and her mother commits suicide before we’re twenty pages in.

Matt made a very good point that really challenged the consistency of the book’s world: the protagonist’s boyfriend who has got the young woman pregnant borrows the money from her parents for the abortion. He found that very difficult to imagine and I tend to agree.

Without having finished the book it doesn’t seem fair to write much more.

We have a slightly longer book next month, J.G. Farrell’s The Siege of Krishnapur. Hopefully we’ll be back at The All Nations but I suspect it will probably be Zoom again, see you on October 6 in any case.